Guide Crapshooter Newsletter # 19 (The Crapshooter Newsletter)

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Her performance is spot-on, with priceless facial expressions and a comedic delivery that reminded this reviewer of Judy Holliday. Price is a dynamo, and his duet with Ms. Manna Nichols, in her Goodspeed debut as Sister Sarah, brings a clear soprano voice that is in keeping with her initially austere, spiritual role. It was fun to watch her character unwind as she falls under the thrall of Tony Roach, as Sky Masterson, who, although a bit stiff in role of lover, was more than adequate as the alpha male of the story.

To fit a cast of the size required by this show on such a small stage, and to fill that stage with spectacular dance numbers is a monumental task. Cartwright, played by Karen Murphy, listen.

The Secret of the Fours and Tens

They were all performed flawlessly by the cast, a tribute to Mssrs. Stephenson and Sanchez. The sets, by Paul Tate dePoo III, were a wonder to behold, ranging from a NYC sewer to the Great White Way, featuring neon signs galore, including for the Hot Box nightclub and the old Roxy theater, among many others, and the piece-de-resistance: a Camel sign that blows smoke rings, just like the one that actually existed in Times Square for decades!

Lighting design by Stephen Terry gave the set the illusion of much needed space.

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The men were dressed in the stereotypical zoot-suits of the era in Dick Tracy-like colors, and the missionaries were dressed in, well, Salvation Army red! The audience was immediately put into the mood when they first entered the theater, as even the ushers were wearing vests, ties and fedoras similar to those worn by the cast. That leaves the musical accompaniment. It was fun to watch her character unwind as she falls under the thrall of Tony Roach, as Sky Masterson, who, although a bit stiff in role of lover, was more than adequate as the alpha male of the story.

Samantha Barks Can’t Do It Alone, Hunter Foster Takes the Helm & More Cross-Country Highlights

To fit a cast of the size required by this show on such a small stage, and to fill that stage with spectacular dance numbers is a monumental task. Cartwright, played by Karen Murphy, listen. They were all performed flawlessly by the cast, a tribute to Mssrs. Stephenson and Sanchez.


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The sets, by Paul Tate dePoo III, were a wonder to behold, ranging from a NYC sewer to the Great White Way, featuring neon signs galore, including for the Hot Box nightclub and the old Roxy theater, among many others, and the piece-de-resistance: a Camel sign that blows smoke rings, just like the one that actually existed in Times Square for decades!

Lighting design by Stephen Terry gave the set the illusion of much needed space. The men were dressed in the stereotypical zoot-suits of the era in Dick Tracy-like colors, and the missionaries were dressed in, well, Salvation Army red!

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The audience was immediately put into the mood when they first entered the theater, as even the ushers were wearing vests, ties and fedoras similar to those worn by the cast. That leaves the musical accompaniment.

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And oh, those songs! Of course, in such a show, the casting is all important: the actors must not only be able to act their lines, but to act their songs and dances, as well, and it is here that the Goodspeed has excelled. The cast and crew assembled is outstanding from top to bottom.

go to link Her performance is spot-on, with priceless facial expressions and a comedic delivery that reminded this reviewer of Judy Holliday. Price is a dynamo, and his duet with Ms. Manna Nichols, in her Goodspeed debut as Sister Sarah, brings a clear soprano voice that is in keeping with her initially austere, spiritual role. It was fun to watch her character unwind as she falls under the thrall of Tony Roach, as Sky Masterson, who, although a bit stiff in role of lover, was more than adequate as the alpha male of the story.

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To fit a cast of the size required by this show on such a small stage, and to fill that stage with spectacular dance numbers is a monumental task. Cartwright, played by Karen Murphy, listen. They were all performed flawlessly by the cast, a tribute to Mssrs. Stephenson and Sanchez.